Play (with) me
By locking ourselves in a safe space and tying strings to our wrists, the ends of which were outside the building, we created a kind of interactive game with the audience, allowing them (alone or together with others) to control our movements. How does a person react in a situation that allows them to directly manipulate others within the context of an artistic event? To what extent is this manipulation, and where does collaboration begin? Is it possible to swap places between the manipulators and the manipulated? If so, must both sides be aware of this?




















































